SHUSH! Magazine
ISSUE No.4 CREDITS
Frey+Martin Cover
Celine Griscom
Reka Nyari
Product.01
Juan Carlos Donado
SHUSH! Magazine
410 West 14th Street
NY 10014
NEW YORK
STYLE! > PRETTY TWISTED PLANS by Reka Nyari
Styling Credits: "PRETTY TWISTED PLANS"
Page 1 - Pale blue parachute style jumpsuit by FORM, Gold and sliver wedge heels by Christian Louboutin
Page 2 - Black cotton wide strip boat neck dress by Charles Chang Lima, Shoes by Christian Louboutin
Page 3 and 4 - Silver layered asymmetrical dress by FORM, Yellow crunched leather belt By Diesel
Page 5 - Aurelio Costarella Lime silk bustier, Vintage Fiorucci leopard hot pants, Green pumps By Maison Martin Margiela
Page 6 - On him light blue cotton wool blazer light blue cotton wool trousers by Operations, shirt by Uniqlo. Bow tie by Paul smith
Page 7 - Long cream white cotton vest by Tankus, and denim capris by Genetic Denim. Green pumps by Maison Martine Margelia Bustier top by Aurellio Costrella
Page 8 - White satin dress by FORM
Photography: Reka Nyari
Styling: Harold Jay Melvin for Artisiccibe.com
Make-Up: Lottie for Make-Up Forever
Hair: Tamara
Models: Nell (Trump), Scott (IMG)
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TUNES! > PRODUCT.01
FACE!
Shelley
"Heart" by PRODUCT01 Click to Listen
“Bullet Ride freshly
squeezed”
Product.01 are Rochelle Vincente Von K, Austrian/Australian vocalist, and Marc Adamo, the Italian/English bleep producer. Together they've been making friends in many circles and electrifying audiences worldwide with their distilled blend of vocal charged electro, techno and breakbeat influenced music.
Their first two releases were supercharged electro-breaks remixes for Adam Freelands hit single We Want Your Soul and International Ponys Leaving Home. They followed this up with their debut, the Zero-One EP, which featured their phenomenal remake of Heart Ov Glass. The EP earned hit reviews in music mags and has reached international cult status.
More remix work followed for Dave Clarke/Chicks On Speed, Si Begg, Larry Tee/Princess Superstar, Jean Paul Bondy, Caucasian Boy, Husky Rescue, Lexi (Superstonic), Ursula 1000, Minticco, TV HeartAttack, and plenty of great live shows including touring with Freeland, and playing alongside Tiga, Fatboy Slim, Cursor Miner, Bobby Gillespie (Primal Scream), Mark Moore , Spektrum, General Midi, Larry Tee, Princess Superstar ...as well as performances for Radio One, XFM and Tate Britain.
PRODUCT.01 photograph by FREY+MARTIN
WORD! > JUAN CARLOS DONADO
BY JUAN CARLOS DONADO
When I happened to move (did I mention four flights of stairs?), it happened to dawn on me ... the sight ... what a hipster really is.
All of a sudden there were Puerto Ricans, latinos, my brother, bodegas, the screaming, the salsa in Spanish, Papi!, and then one heard or one didn’t hear the others. Hipsters: silent, enigmatic men in ultra-tight gray dirty jeans, women in pink/green/deep-purple rain-boots, children with long thin straight Kurt Cobain hair, and bicycles, lots of them, and sun-glasses (lots and lots: red sunglasses on top of a light-blue bicycle: Look!... No hands) and a pair of old, black treaded Converses, and wow!, those white 80’s Nike boots all worn-out to look expensive.
I mean: the other way around: cheap. [Reebok Pump, I swear.] Not to define it, a definition would soon become a large catalogue of images, yet to proceed and acknowledge what one does see: Art. Art everywhere –everywhere explained as: shoes, bags, scarves, and naturally-hand-made-designer clothes to protect the environment [I wish I had the money].
Art in the accesories, for the hipster asserts: the self is the sum of its accesories, not more. But the point was what dawned on me, really, not anything/everything else. As I was walking (I was carrying my books up four flights of stairs, I did mention, therefore breaking a reader’s sweat), I noticed her coming down. The hair: short blonde heavily dishevelled [hmmm...] The coat: nice hand-sown embroirderies along the dark, blue sleeves. Her bag: old red turned inside-out worn leather, perhaps from a thrift shop (early 70’s).
Then I looked inside her eyes and what I saw –what I perceived- was not Art (not at all), it was rather design [the plan], and then it dawned on me: if I had only began at the beginning, it would have begun right here.
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